LITERATURE. XIXth-XXth centuries. Set of 7 volumes; sold as - Lot 111

LITERATURE. XIXth-XXth centuries. Set of 7 volumes; sold as is. HEINE (Heinrich). Reisebilder. Tableaux de voyage. Paris, Eugène Renduel, 1834. 2 volumes in-8, half-brown basane decorated, rubbed (contemporary binding). First edition of the French translation, forming volumes II and III of the author's OEuvres. Copy enriched with a copper-engraved portrait after Charles Gleyre. - JAMMES (Francis). Lavigerie. [Paris], E. Flammarion, 1927. In-16, imitation cloth bradel boards, covers preserved (period binding). First edition. Autograph signed letter to Raymond Poincaré and his wife. - JAMMES (Francis). Le Quatrième livre des quatrains. Paris, Mercure de France, 1925. In-8, bradel de percaline (period binding). First edition. Copy of Raymond Poincaré, with autograph letter signed on a visiting card mounted on one of the endpapers: "à Raymond Poincaré, Français...". Provenance: Lucien Allienne (bookplate). - LECONTE DE LISLE (Charles-Marie). Poésies barbares. Paris, Librairie Poulet-Malassis, 1862. In-18, brown morocco, gilt edges, copy with wide margins, lined slipcase; spine faded and rubbed (J. Kauffmann - F. Horclois). First edition, of which no large paper copies were printed. - LECONTE DE LISLE (Charles-Marie). Poésies barbares. Paris, Librairie Poulet-Malassis, 1862. In-18, half morocco (slightly later binding). First edition, of which no large paper copies were made. The copy of the poet Albert Mérat (1840-1809, with bookplate), enriched with an autograph letter signed by Leconte de Lisle and addressed to him: "Monsieur et cher confrère, je vous remercie d'avoir bien voulu songer à moi pour un exemplaire de vos nouvelles poésies. I have read them with great interest and hasten to send you my sincere congratulations...". - STERNE (Laurence). Voyage sentimental. Paris, Ernest Bourdin, [1841]. In-4, gilt-stamped chagrin, spine faded, covers and corners a little rubbed (Boutigny). First printing (312 pp.). Off-text woodcuts on chine appliqué and in the text, mainly after drawings by Tony Johannot and Charles-Émile Jacque.